Sean Wang replicates the pain, humor, and confusing feelings of childhood within every viewer of this competently made, sophisticated drama.

With its contemplative pace, Evil Does Not Exist provides audiences a visually “simple” film with untraceable depth.

The Bear’s third season overstays its welcome despite its delicious presentation.

Annihilation favors thematic intrigue and sci-fi horror over a consistent script or visuals.

Spielberg’s A.I. is as interesting as it is disturbing to discuss, leaving this viewer as obsessed as the film’s lead.

While maintaining an interesting story with similarly ambitious themes, Danny Boyles Sunshine at times proves the inevitability of human error.

The Bear continues to impress by telling an effective season opener primarily through its stunning visuals.

Micheal Mann helps establish a Neo-Noir canon as early as his impressive directorial debut.

Coming back to the prequels, I found myself lost in a sea of innovative imagination, and crazed surreality.

Bradley Cooper brings the timeless tragedy to the modern day in his latest, safest iteration of the story.

Luca Guadagnino demonstrates mastery of the medium in his recent romance gone rabid.

Despite its small scope, Fincher still excites audiences in his one-location thriller.

Treasure Planet attempts to take off, but proves itself an adventure for the feint-of-heart.

Nolan indulges in his greatest strengths and weaknesses as a filmmaker in this no holds barred spy thriller.

Entering A Ghost Story, reviews and friend’s suggestions had me surprised when I found myself bored at what was supposedly a gut-wrenching film. I wanted to find out why.

Discover the beauty hidden in Indiana by following the reserved Casey and stoic Jin learning to live.

Take me back to the era of spandex and heart.

A wry, cringe-inducing car crash in motion, aspiring director Tomas travels Parisian streets in search of a partner, and himself, in Ira Sach’s Passages.