Jim Cumming’s breakout film explores the hardships of being an adult, and the joy of being a parent.

Eggers’ latest is a visual triumph with an evolution on his visual style, which clashes with the story like two warriors refusing to submit.

Everything, Everywhere, All at Once is a multiversal masterpiece.

Moon Knight shines a light on the imbalance between creativity and control in the Marvel shows.

Marvel’s latest is a pleasant surprise in a landscape of mediocrity.

"It's the greatest burden I can think of, wanting to be extraordinary but being mind-numbingly, sickeningly, painfully, ordinary."

The beat ‘em up to end all beat ‘em ups is a fighting masterclass due to its relentless hatred for the player.

The Batman presents an interpretation of the hero unlike any we’ve seen before, and it’s magnificent.

Best picture favorite is a sad reminder on one of the most tired modern day tropes.

Euphoria’s second season is an admittedly beautiful waste of potential.

From Third Cinema to mainstream Hollywood, how have political messages been conveyed in film? How successful have they been?

A breakdown of my favorite track off of Black Country, New Road’s masterpiece “Ants From Up There”

One of Wong Kar-Wai’s most human films is a success in capturing the loneliness of romance.

This story of scale creates the most suspenseful scenes of the past year, all without dialogue.

Lin-Manuel Miranda’s directorial debut is an energetic story we’ve seen many times before.

Revisiting and dissecting one of the most relatable films of the decade.