Another masterpiece from Park Chan-Wook proves the director as unimaginably innovative.

White Noise is an inconsistent blend of heady themes and biting satire that lacks identity.

Marcel’s delightful, but partially successful, transition to the big screen demonstrates the significance of universal truths.

“Good luck to ye, whatever you may be fighting about.”

Wakanda Forever fails to live up to its predecessor despite its grandiose and intimate filmmaking.

This directorial debut is the most stunning, confident, and abrasive family drama I’ve ever seen.

Barbarian shocks with its narrative depth and engaging camerawork.

Better Call Saul delivers what Breaking Bad couldn’t.

The MCU has developed a new gaze for the fans to employ: the gaze of attraction.

Kid Cudi’s foray into film brings a stunning animated romance to dynamic life, leaving a struggling narrative in its wake.

After Yang captures the beauty in life after loss.

A review of every film I saw at TIFF, all in one convenient spot!

The Strokes mature past their teenage angst in their melancholic reflection of an album.

“There are several components to a good rehearsal…but I’ve recently come to realize I’ve been neglecting one key component of every crucial life event: feelings.”

Jordan Peele’s Nope raises a fear inside me, the fear of not getting it.

Thor’s fourth film is one of the worst MCU projects to date.

Cooper Raiff strikes big in another coming of age instant classic.

Fairytale meets reality in the acclaimed 2021 coming of age masterpiece.

Based on its demo, Battle League seems to be worth the wait.

Link’s Awakening is a muddled adventure painted over with a pleasing chibi aesthetic.