A wry, cringe-inducing car crash in motion, aspiring director Tomas travels Parisian streets in search of a partner, and himself, in Ira Sach’s Passages.

Scorsese and crew perform a masterclass in historical revisionism in Killers of the Flower Moon.

The Zone of Interest’s most unsettling element is everything we don’t see.

The Eternal Memory follows Augusto Gongora and Paulina Urrutia as they struggle to reconcile their infinite love with Augusto’s recent Dementia diagnosis.

Robot Dreams impresses with its delightful art style and thematic maturity.

Maestro tricks viewers into thinking they know the master. In reality, supplementary reading is required.

The Boy and the Heron is as thought-provoking as it is imaginative.

American Fiction actualizes its own message at the cost of its biting themes.

Nicholas Cage stars in a film that buckles under its own lofty dreams.

This retelling of an Arthurian classic is as subversive as it is fantastical.

What’s your personal Die Hard?

Christmas and noir, it’s the perfect contradiction.

May December delights in our every day delusions.

Spider-Man 2 makes you feel like Spider-Man in ways you weren’t expecting.

Giamatti, Sessa, and Randolph shine as bright as the north star in this modern Christmas classic

Fincher continues to display technical mastery over a delightfully self-indulgent thriller, one that fails to effectively thrill.

The series has finally concluded, and I, for one, am still left pondering.